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Title
South Gateway
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Artist
Scott Greenig
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Location
Wellington E. Webb Municipal Building, 7th Floor Elevator Lobby
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Neighborhood
Central Business District
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Year
2003
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Artwork Type
Acrylic Paintings
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Material
acrylic paint
About This Piece
Until 2003, Denver’s various City departments were spread around the City at various locations. This meant doing business with the City was a multi-stop experience. The consolidation of Denver’s agencies into a one-stop location has not only saved the City money, it has created a place where we can base an understanding of how the City works.
With this in mind, the City selected a location for Wellington E. Webb Municipal Building adjacent to Civic Center Park. The addition of the Webb building to the Civic Center landscape brought together all the agencies that work to build the city and to administer the ordinances that define city life.
The Public Art Program for the Webb Building was based on this set of understandings.
Twelve artists were hired to each do an artwork for one of the floor’s elevator landings. Each artist was asked to create a unique work that represented an important element of Denver and its place on this landscape.
From the bottom to the top the artists are:
First Floor: Darrell Anderson, “Workers”
Second Floor: Sue Quinlan, "Antiquities and Revisited”
Third Floor: Bonnie Lhotka, “Whole Life”
Fourth Floor: Steve Altman, “Civic Centerized”
Fifth Floor: Darrell Anderson, “Construction”
Sixth Floor: Bill Starke, “Ascent”
Seventh Floor: Scott Greenig, “South Gateway”
Eighth Floor: Nathaniel Bustion, “Inter Spirit of the Created Colorado Vision”
Ninth Floor: Oyedele Oginga, “The Ensemble”
Tenth Floor: Jim Colbert, “Civic Center Floating Island”
Eleventh Floor: Daniel Salazar, “Grand Poobah & Office Fairy cut through red tape”
Twelfth Floor: Judith Trager, “Canyon Walls”
Artist's Statement:
A majority of people who move to the Denver area move here to be close to the mountains. Even if they find themselves so busy that they seldom get to go to the mountains, they feel better for being near them.
In landscape paintings, I have found that by leaving very small strips of sky, or sometimes no sky, and filling most of the space with the landscape, a vastness of space is created. The six-foot square space at the end of the passage will open as if a window were there…. a window with a view of Colorado, not a parking structure, building edifice or people.